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邀請函 | "上海數字未來(lái)"國際會(huì )議

  • 2017年06月29日
  • 13809


主辦單位:

Hosts:

同濟大學(xué)建筑設計研究院(集團)有限公司

上海建筑數字建造工程技術(shù)研究中心

同濟大學(xué)建筑與城市規劃學(xué)院

Tongji Architectural Design (Group) Co., Ltd.(TJAD)

Shanghai Digital Fabrication Engineering Technology Center

College of Architecture and Urban Planning, Tongji University

協(xié)辦單位:

Co-organizers:

中國建筑學(xué)會(huì )建筑師分會(huì )數字建筑設計專(zhuān)業(yè)委員會(huì )(DADA)

全國高等學(xué)校建筑學(xué)科專(zhuān)業(yè)指導委員會(huì )-建筑數字技術(shù)教學(xué)工作委員會(huì )

一造科技Fab-Union

本次活動(dòng)以“通過(guò)數字建造全新詮釋材料的物質(zhì)主義”為主題,旨在通過(guò)對材料本體特性與數字化生產(chǎn)的有效整合,探求通過(guò)“建造與自動(dòng)化”等方面體現“數字化物質(zhì)設計”的新途徑。本次活動(dòng)旨在召集全世界最先鋒的數字設計和建造領(lǐng)域的組織與個(gè)體,在上海建筑數字建筑工程技術(shù)研究中心、同濟大學(xué)建筑與城市規劃學(xué)院和同濟大學(xué)建筑設計研究院(集團)有限公司的推動(dòng)下,以及中國數字建筑設計專(zhuān)業(yè)委員會(huì )(DADA)、全國高等學(xué)校建筑學(xué)科專(zhuān)業(yè)指導委員會(huì )-建筑數字技術(shù)教學(xué)工作委員會(huì )、一造科技Fab-Union 的支持下,探討以唯物論為依據的材料數字時(shí)代的哲學(xué)思維為新興數控建造產(chǎn)業(yè)帶來(lái)的新挑戰和新機遇。

時(shí)間: 2017年7月2日 8:00-18:30

Time: 8:00-18:30,7/2/2017 

地點(diǎn): 同濟大學(xué)建筑設計研究院(集團)有限公司一樓大報告廳

Venue: Lecture Hall, 1st Floor, Tongji Architectural Design (Group) Co., Ltd

演講嘉賓

Guest Speakers


Philippe Block

蘇黎世聯(lián)邦理工學(xué)院建筑學(xué)技術(shù)學(xué)院(ETH)

瑞士國家技術(shù)研究中心(NCCR)主任

Director, NCCR, ETH Zurich

主題Topic:

Reimagining Shell Structures

Philippe Block是瑞士蘇黎世聯(lián)邦理工學(xué)院建筑技術(shù)學(xué)院教授,在那里他與Tom Van Mele博士一起指導Block Research Group(BRG)。 BRG專(zhuān)注于平衡分析,計算形式生成,曲面結構的優(yōu)化與曲面制造。他曾經(jīng)在VUB、比利時(shí)和麻省理工學(xué)院學(xué)習建筑和結構工程,并且與2009年獲得博士學(xué)位。 

作為Ochsendorf,DeJong&Block,LLC的合伙人,他將他的研究應用于歷史古跡和設計的結構評估和新型壓縮結構的工程。他為他的研究贏(yíng)得了無(wú)數獎項,曾在全球頂尖大學(xué)和領(lǐng)先的工程和建筑辦公室講課,并定期被邀請作為專(zhuān)家顧問(wèn)。多項研究以及實(shí)驗建筑在威尼斯雙年展展出,在數字建造領(lǐng)域占有領(lǐng)先地位。

Philippe Block is Professor at the Institute of Technology in Architecture at ETH Zurich, where he directs the Block Research Group (BRG) together with Dr. Tom Van Mele. The BRG focuses on equilibrium analysis, computational form finding, optimization and fabrication of curved surface structures, specializing in unreinforced masonry vaults and thin concrete shells. Within the Swiss National Centre of Competence in Research (NCCR) Digital Fabrication, the BRG develops innovative structural design strategies using bespoke prefabrication, pushing construction innovation.

Block studied architecture and structural engineering at the VUB in Belgium, and at MIT in the USA, where he earned his PhD in 2009. With the BRG and as partner of Ochsendorf DeJong & Block (ODB Engineering), he applies his research into practice on the structural assessment of historic monuments and the design and engineering of novel compression structures. He has won numerous awards for his research, has lectured at top universities and leading engineering and architecture offices worldwide, and is regularly invited as an expert consultant. 

Makoto Sei Watanabe渡邊誠

Architect,Makoto Sei Watanabe / Architects' Office

Professor of Tokyo City University

日本渡邊誠建筑事務(wù)所主持建筑師,東京城市大學(xué)教授

主題Topic:

Can AI make designs ?   

AIrchitect ← Architectural Intelligence

渡邊誠現任東京城市大學(xué)教授,渡邊誠建筑事務(wù)所主持建筑師。曾執教于岡山県立大學(xué)和臺灣淡江大學(xué)。他的作品的特點(diǎn)是運動(dòng)感和觸覺(jué)感知,會(huì )使來(lái)訪(fǎng)者想要觸摸它。而在理論上,通過(guò)對設計行為的言語(yǔ)化和持續探索翻譯成計算機程序來(lái)傳達出來(lái)。他是2013/2014年算法設計探索國際程序競賽、2015年算法設計探索國際座談會(huì )的組織者。他的作品曾榮獲多項獎項,包括2002年的日本建筑學(xué)會(huì )大獎,1997年美國景觀(guān)設計師協(xié)會(huì )大獎等。

Makoto Sei Watanabe is a professor at Space-Generating Lab, Tokyo City University and architect at Makoto Sei Watanabe Architects’ Office. He also taught in Okayama Prefectural University and Tamkang University in Taiwan. 

Sensually his work is characterized by a feeling of movement and tactile qualities that make the visitor want to touch it, while theoretically it is informed by a continuing investigation into verbalization of the act of design and its translation into computer programs.  

WEB FRAME (2000), created according to this new INDUCTION DESIGN/ ALGOrithmic Design methodology, was the world’s first work of architecture to be generated by using a computer program to solve specified conditions.

He is the organizer of ALGODeQ (ALGOrithmic Design Quest) international programming competition 2013/14 and AQS:ALGOrithmic Design Quest International Symposium 2015.

His work has received numerous awards, including The Prize of AIJ 2002 (Japan), ASLA Awards 1997 (USA) etc. 

孫澄  Cheng Sun

哈爾濱工業(yè)大學(xué)建筑學(xué)院教授

全國高校建筑學(xué)學(xué)科專(zhuān)業(yè)指導委員會(huì )數工委副主任

Professor, Harbin Institute of Technology

Co-director, Building Digital Technology Teaching Committee

Yangtze River Scholar 

主題Topic:

基于虛擬智能的建筑物質(zhì)性能探索

Exploring the Materialization Performance of Architecture based on Virtual Intelligence 

孫澄,博士生導師,現任哈爾濱工業(yè)大學(xué)建筑學(xué)院黨委書(shū)記兼副院長(cháng),國家級建筑虛擬仿真實(shí)驗教學(xué)中心主任,中國建筑學(xué)會(huì )常務(wù)理事,全國高校建筑學(xué)學(xué)科專(zhuān)業(yè)指導委員會(huì )數工委副主任。曾獲中國建筑學(xué)會(huì )青年建筑師獎、黑龍江省杰出青年基金。長(cháng)期致力于數字化建筑設計、公共建筑創(chuàng )作等方面的研究。 

Cheng Sun, professor at Harbin Institute of Technology, co-director of Building Digital Technology Teaching Committee, Yangtze River Scholar. He is the vice president of Party Committee Secretary in Harbin Institute of Technology, director of the National Building Virtual Simulation Experiment Teaching Center, executive director of China Architecture Society. He has been awarded the China Architecture Society Young Architect Award and Heilongjiang Province Outstanding Youth Fund. His research focuses on digital architecture design, public building creation and etc. 

Shajay Bhooshan

Shajay Bhooshan于2007年加入扎哈·哈迪德建筑事務(wù)所,一直專(zhuān)注于建筑概念和生產(chǎn),將理論話(huà)語(yǔ)應用到生產(chǎn)制造。作為事務(wù)所計算設計研究組(CODE)的聯(lián)合創(chuàng )始人,Shajay還擁有編程、數學(xué)以及工業(yè)機器人的專(zhuān)業(yè)知識,更是在殼體結構的建筑應用和節點(diǎn)方面作出了巨大貢獻。

Shajay BHOOSHAN joined ZAHA HADID ARCHITECTS in 2007, he has specialized in the conception and production of architecture: from theoretical discourses to manufacturing technologies. As an expert in computation, Shajay also has specialized knowledge in programing, mathematics – especially geometry and optimization methods, and computer-controlled industrial machines including industrial robotics. He had made great contributions to architectural application and articulation of shell structures.

Neil Leach

主題Topic: 

Size Matters: The Limits of Representation

Neil Leach,建筑師兼理論家,策展人。同濟大學(xué)建筑與城規學(xué)院客座教授,美國哈佛大學(xué)設計研究生院客座教授,歐洲科學(xué)院院士。美國南加州大學(xué)建筑系教授。曾執教于包括南加州建筑學(xué)院、倫敦建筑聯(lián)盟學(xué)校、康奈爾大學(xué)、哥倫比亞大學(xué)建筑學(xué)院、德國德紹建筑學(xué)院等多所國際頂尖大學(xué)。他在英國諾丁漢大學(xué)獲得哲學(xué)博士學(xué)位,于劍橋大學(xué)獲得建筑學(xué)碩士,藝術(shù)學(xué)學(xué)士。其理論研究論文眾多,自1998年至2017年在國際出版眾多書(shū)目。

Neil Leach is an architect, curator and writer. He is currently visiting professor at Tongji University , visiting professor at Harvard University GSD, professor at the European Graduate School. He has also taught at SCI-Arc, Architectural Association, Columbia GSAPP, Cornell University, etc. His research interests fall broadly into two fields, critical theory and digital design. In the field of digital design, he has published a number of related books and papers.

Hyunsoo Lee

主題Topic : 

Biomimetic Inspired Facade Design for Aesthetically Well-Designed Architectural Space

Hyunsoo Lee, 亞洲計算機輔助建筑設計學(xué)會(huì )(CAADRIA)主席,韓國延世大學(xué)教授,首爾建筑設計與規劃顧問(wèn)委員會(huì )顧問(wèn)。他于1985年碩士畢業(yè)于首爾大學(xué)建筑系,而后于1988年在密歇根大學(xué)攻讀建筑工程與管理學(xué)碩士學(xué)位,并于1992年完成博士學(xué)位。他從1997年開(kāi)始任教于首爾大學(xué),其研究領(lǐng)域包括生物建筑,老年人住房和數字化建造。他的研究興趣還在建筑立面和材料技術(shù)相結合的數字制作。

Professor at Yonsei University, Department of Interior Architecture and Built Environment; CAADRIA President; Advisory Committee of Seoul Architecture Design and Planning

Professor Lee's research areas are Bio Architecture, Elderly Housing and Digital Fabrication. He is interested in Bio Architecture which provides sense of suitability for habitation. He has been doing research on elderly housing focused on smart services of an assisted living using life-log data. Also digital fabrication in association with architectural facades and material techniques are research interest with continuous effort.

Biayna Bogosian

主題Topic: 

Sensing Urban Microclimates

Biayna Bogosian是建筑師和互動(dòng)媒體設計師,研究感知和認知交互設計,特別是城市與環(huán)境數據模式之間的關(guān)系。她正在南加州大學(xué)電影藝術(shù)學(xué)院攻讀媒體藝術(shù)與實(shí)踐博士學(xué)位。擁有哥倫比亞大學(xué)高級建筑設計科學(xué)碩士學(xué)位和伍德伯里大學(xué)建筑學(xué)士學(xué)位。自2011年以來(lái),Biayna在哥倫比亞大學(xué)建筑規劃與保護研究生院和南加大建筑學(xué)院教授數字媒體和建筑設計課程。 

Biayna是洛杉磯“Somewhere Something”工作室的負責人,在建筑,城市設計,互動(dòng)設計和數字制作的交互領(lǐng)域工作,改變大眾的認知和建設城市的方式。

Biayna Bogosian is an architect and interactive media designer researching perceptual and cognitive interaction design that highlight the relationship between urban and environmental data patterns. 

She is pursuing a Ph.D. in Media Arts & Practice in the School of Cinematic Arts at the University of Southern California. She holds a Master of Science in Advanced Architectural Design from Columbia University, and a Bachelors of Architecture from Woodbury University. Since 2011, Biayna has taught digital media and architectural design courses at Columbia University Graduate School of Architecture Planning and Preservation and USC School of Architecture. 

Biayna is principal of Los Angeles-based studio Somewhere Something that works at the intersection of architecture, urban design, interaction design, and digital fabrication, in order to change the way we perceive and construct our cities.

Weixin Huang 黃蔚欣

主題Topic: 

有機結構與數據空間

Organic Structure & Data Space

黃蔚欣于日本京都大學(xué)博士畢業(yè),現任清華大學(xué)建筑學(xué)院副教授,全國高校建筑學(xué)學(xué)科專(zhuān)業(yè)指導委員會(huì )數工委副主任, 亞洲計算機輔助建筑設計學(xué)會(huì )(CAADRIA)組織官員,數字建筑設計專(zhuān)業(yè)委員會(huì )(DADA)委員,DADA2013數字建筑國際會(huì )議總協(xié)調人。近10年來(lái)一直在從事數字技術(shù)與建筑設計相結合的跨學(xué)科研究和教學(xué)工作。

Prof. Huang was graduated from Kyoto University with Ph.D Degree, and now he is associate professor of Tsinghua University Architecture Department, co-director of Building Digital Technology Teaching Committee, organizing officer of CAADRIA, member of DADA, and general coordinator of DADA2013 & Digital Architecture International Conference. Prof. Huang has been engaged in the interdisciplinary research and teaching work on digital technology and architecture design over the decades.

Behnaz Farahi

主題Topic: 

3D printed Interactive Body Architecture

       Behnaz Farahi是一位具有創(chuàng )造力的杰出設計師和科學(xué)家,她的主要研究橫跨時(shí)尚,建筑和交互設計領(lǐng)域。她在作為建筑師的培養過(guò)程中,著(zhù)力探索交互環(huán)境與人體關(guān)系的潛力。她還專(zhuān)注于物理計算,傳感器技術(shù),增材制造和機器人建造技術(shù)。她目前是南加州大學(xué)電影藝術(shù)學(xué)院的跨學(xué)科媒體藝術(shù)和實(shí)踐的研究員,博士在讀生,擁有建筑學(xué)士學(xué)位和兩個(gè)碩士學(xué)位。

Behnaz Farahi is interested in exploring the potential of interactive environments and their relationship to the human body through the implementation of emerging technologies in contemporary art/architecture practice. Her goal is to enhance the relationship between human beings and the built environment by following design/motion principles inspired by natural systems. Application areas include architecture, fashion and interaction design. She also specializes in physical computing, sensor technologies, additive manufacturing and robotic fabrication technologies.

Currently she is an Annenberg Fellow and PhD candidate in Interdisciplinary Media Arts and Practice at the USC School of Cinematic Arts. She has a Bachelor’s and two Masters degrees in Architecture.

Patrik Schumacher 

主題Topic: 

Tectonic Articulation in the Context of Architectural Semiology

Patrik Schumacher, 扎哈·哈迪德建筑事務(wù)所主持建筑師、合伙人;英國皇家建筑師協(xié)會(huì )成員。曾在英國,歐洲,美國多所建筑院校任教,并且是倫敦建筑聯(lián)盟學(xué)校(AA)設計研究實(shí)驗室(DRL)的聯(lián)合主任。他也是一名理論家,專(zhuān)注于參數化主義設計。在舒馬赫先生看來(lái),這種利用算法、計算機設計和新型材料塑造建筑物的參數化主義是后現代主義的繼承者。  

Patrik Schumacher, principal, director of Zaha Hadid Architects, member of Royal Institute of British Architects (RIBA). He has been teaching at various architectural schools in Britain, Continental Europe and the USA and he is a co-director of the Design Research Laboratory at the Architectural Association School of Architecture. Patrik is also a throrist, specializing in “parametric” design. In his point of view, this kind of parametricism which tends to use algorithms, computer design and new material to shape building is the successor of postmodernism.

 

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